Community Leadership & Experiential Content Strategy: Reframing Native Art Through Modern Storytelling
Overview
In 2012, I was responsible for producing and executing the public-facing experience surrounding Comic Art Indigène. What emerged was not a supporting event, but a fully integrated cultural platform designed to shift how Native art is perceived.
Through Comic Art Fan Day and its surrounding programming, I transformed a traditional museum exhibit into a live, participatory experience that introduced audiences to a broader truth: Native artists are active contributors to modern visual culture—working in comics, illustration, animation, and digital media.
This was a deliberate repositioning effort—executed through design, storytelling, education, and live engagement.
The Mission
Challenge outdated assumptions.
Expand public understanding of Native art beyond historical craft and into contemporary creative expression.
Create an experience where:
Native artists are seen as modern storytellers
The public engages directly with creators
Education, entertainment, and culture intersect
The exhibit becomes something people experience—not just observe
My Role
Creative Direction, Event Production, Experience Design, Marketing, Education, and Execution
I owned the initiative end-to-end:
Concept and structure of Comic Art Fan Day
Artist recruitment, coordination, and integration
Environmental and exhibit support design
Marketing campaign and promotional materials
Educational programming and outreach
On-site hosting and execution
This was full-spectrum ownership across creative, operational, and strategic layers.
What I Built
A Living, Interactive Experience
Comic Art Fan Day functioned as a live creative environment:
Artists actively engaged with visitors
Work was displayed, discussed, and contextualized in real time
Families and students participated in hands-on creation
The exhibit extended beyond the gallery into shared experience
The shift was intentional: from passive viewing to active participation.
Artist Platform + Cultural Visibility
I curated and coordinated a lineup of Native artists across disciplines, ensuring:
Their work was professionally presented
Their voices were central to the experience
Visitors could engage directly with contemporary Native creators
The goal was visibility—not just display.
Environmental + Visual System Design
To unify the experience, I created a cohesive visual environment:
Large-scale 8’ banners
Artist panels and biographies
Wall graphics and exhibit extensions
Life-sized illustrated character cutouts
This transformed the space into an immersive, branded experience tied directly to the exhibit’s message.
Marketing + Campaign Execution
I produced the promotional engine driving awareness and attendance:
Native Visions seasonal campaign magazine
Event branding and collateral
Exhibit and program promotion
Every piece reinforced a single message: this is not traditional, static museum content—this is contemporary, relevant, and alive.
Education + Outreach
I extended the experience beyond the museum:
Led the museum’s first outreach initiative at Mansfield Middle School
Developed and taught Cartooning 101—Native Style!
Created lesson plans, instructional materials, and presentation content
Students weren’t just introduced to the topic—they participated in it.
Featured Artists & Contributors
Comic Art Fan Day brought together a range of Native artists and contributors working across modern creative disciplines:
Andrea Grant (Coast Salish/Laplander Inuit)
Writer and multimedia artist, creator of MINX, blending Native storytelling with contemporary graphic novel formats.
Anthony Cooley (Sioux)
Comic writer and illustrator focused on narrative-driven visual storytelling rooted in classic comic traditions.
Andrew Morceau (Chappaquiddick Wampanoag)
Comic artist specializing in character design and contemporary illustration.
Robert Peters (Mashpee Wampanoag)
Illustrator and author exploring identity and storytelling through symbolic and narrative art.
Ariel Merrill (Mashantucket Pequot)
Animator and visual artist working across digital media and performance.
Cassius Spears, Jr. (Narragansett)
Digital artist integrating traditional themes with modern graphic design.
Sedonia Champlain (Narragansett)
Illustrator with formal fine arts training, bridging academic technique and cultural expression.
Ty’esha Reels
Award-winning tattoo artist and contestant on Ink Master: Rivals (Season 5), representing contemporary Native artistry in tattoo culture and media.
Chris M. Fry (Narragansett)
Cartoonist, designer, and event producer. Created original artwork, educational materials, and visual assets supporting both the exhibit and live programming.
Tony Chavarria
Exhibit Curator of Comic Art Indigène, whose vision established the foundation for presenting Native comic art within a museum context.
The Power Move
This wasn’t event support.
This was a strategic shift in how Native art was presented, experienced, and understood.
Instead of isolating exhibit, marketing, education, and programming, this work unified them into a single system—designed to engage audiences at every touchpoint.
It positioned Native artists not as artifacts of the past, but as active contributors to modern culture.
That’s not programming.
That’s cultural experience design.




